A musical Damascus moment

As I hope this blog makes abundantly clear, music is – to quote Frank Zappa – ‘the best’.

Consequently, I type this surrounded by my guitars, recording equipment, amps and shelves and shelves full of recorded music.

Several years ago – when I had hundreds of cassettes and vinyl LPs (remember those?)  – I once worked out that I could play my collection for several weeks and not hear the same track twice.

Now, it’s several months at least…there’s music on MP3 CDs, MP3 DVDs and hard disc drives.

We’re not talking mere gigabytes here – it’s terabytes of the stuff…

So, there’s a shitload of music here – and of all kinds, from classical to avant-garde jazz.

Indeed, to coin a phrase, from Abba to Zappa.

My current tastes have been steadily with me for a few years now. I find myself listening to a lot of blues, some country and a hell of a lot of jazz.

Heh…I suppose I’m in a bit of a rut – albeit a very, very pleasant one.

However, I’ve just had my musical world totally fucking rocked by what’s probably the most refreshing and involving album I’ve heard in years.

It’s giving me major goosebumps right now listening to it, and I think I could quite happily get marooned on a desert island with nothing but this beautiful music to keep me company.

Basically, it’s an album of Steely Dan songs sung by two Swedish women with minimal accompaniment – mostly piano.

It’s this:

fire-in-the-hole

It’s called ‘Fire in the Hole’ and it’s by Sara Isaksson and Rebecka Törnqvist – although they don’t look like the cover seems to suggest they do.

Here they are:

 

rebecka-sara

 

That’s better, isn’t it?

Here’s the Dan songs they cover:

  • Rose Darling
  • Barrytown
  • Gaucho
  • Green Earrings
  • Your Gold Teeth
  • Brooklyn (Owes The Charmer Under Me)
  • Don’t Take Me Alive
  • Josie
  • Do It Again
  • Fire In The Hole
  • Pearl Of The Quarter
  • Midnite Cruiser

What surprised me was that if someone asked me to list a dozen Dan songs I’d like to hear covers of, very few of the above would have made it to my list.

However, Isaksson and Törnqvist make the songs their own, and, with minimal accompaniment, the songs are stripped down to the essentials – melody, harmonies and chord changes – and then sung in such a way that each one becomes a small jewel of dazzlingly radiant beauty.

They’ve made me aware of subtleties in songs that I very often skip through when listening to the original albums on which the tunes appeared. I just know that I’ll revisit the Dan versions with fresh ears now.

Their voices are simultaneously plaintive, vulnerable and sensuous but with an inner strength that supports a format of basically two female voices and an acoustic piano.

Yes, there are other instruments – occasionally you’ll hear a mandolin, a sax, a clarinet, an acoustic guitar, a synth, an electric piano or a kick drum – but it’s basically kept very simple and these other instruments just used for texture and seasoning.

Even the voices reinforce this simplicity, with solo and unison singing used when appropriate, and so the glorious harmony sections are made to really stand out .

Some of the instrumental lines – such as the guitar figure in ‘Brooklyn (Owes The Charmer Under Me)’ – get sung in a vaguely ‘scat’ way, although what could have been a ‘jazz’ album gets elevated to a sort of a melodic purity by dint of the clarity of the singing and an overriding urge to display the inner lyricism of the tunes.

It’s an absolutely fantastic piece of work.

Fortunately, I can share it (sort of) with you on here.

YouTube has a couple of live versions which are almost as good as on the album.

Here they are:

 

The album’s not a work of genius – it’s something a bit more unique than that.

Just as the planets will occasionally align, the sun will be eclipsed and you get a phone call from someone you were thinking about a minute before the phone rang, it just happened – because it did.

The two voices came together on a few pieces of music and something just happened – something so unique that it became more than just a series of circumstances or a fortunate situation.

Call it serendipity or coincidence, but whatever it was, it all gave rise to some of the most beautiful music I‘ve ever heard…

PS I’ve just read this on a blog regarding this musical gem and I agree 100%:

The fact that it even exists gives me hope for the future of humanity.

 

 

5 Responses

  1. Very, very nice indeed! Must admit to not having a huge collection of Steely Dan and several of these are absolutely new to me, and I went and had a listen to the originals…to the extent of preferring these covers over many.
    Have you listened to the Rondellus Sabbath covers in Plainchant? e.g. “War Pigs”: http://www.youtube.com/watch?v=AX2y51ixsu8
    It’s an absolutely sublime album to be listened to with the lights off and just a fire burning in the grate. Magic.

  2. Glad you enjoyed the album! Spread the word!
    Thanks for the tip about the Sabbath album – I’ll try and find that for a listen.

  3. woh! I have also no listened to this album and agree totally. Magic, just magic. If you’re not moved by the beauty of this album then, well, you’ve probably not got a pulse. Thanks Steve for introducing me to it.

    Andrew

  4. Stunningly beautiful, isn’t it?

  5. For me, SD’s ‘Can’t buy a Thrill’ was probably their best album. Every track a classic (Brooklyn’s my favourite – superb). Great cover as well (in both senses). And the two girls are much, much prettier. Let’s face it, SD weren’t exactly pin ups…

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